No Sure Footing
Written by Kathryn-Terese Haik   

Photo courtesy Women & Their Work
Forbidden Love #2
The cutest little disturbing figurines you ever did see.

Artist Leslee Fraser takes the absurdity of kitsch and turns it on its head, landing in the realm of dark humor. Her current exhibition, No Sure Footing, at Women & Their Work (1710 Lavaca St) uses ceramic figurines to create an assemblage that draws in viewer for a double take. Her allegories replicate life’s obscurities, and provide a ripeness to reflect such things as suburban malls, the Bible, scientific theory, and domestic fetish. She assembles such notable tokens into unique vignettes that speak in parables and tenderness at the same time.


Fraser’s commentary is a critique on the blandness, the McDonaldizing, and the stifling commercialization that has consumed our lives, and the subdivisions mapping our society. She collects many of the figurines while power-walking through indoor malls near her San Antonio home, a fact that can’t help but make the tongue-in-cheek humor richer, and also finds the artist squarely within the world she is critiquing.

No Sure Footing is comprised of 13 staged scenes, arranged to reflect poignant scenarios straddling the line between funny and disturbing, causing a startling effect that demands a closer look. The tiny scene “Precious Little” features, of course, a mass-produced Precious Moments collectible figurine. Fraser placed a statue of a tearful child wearing an astronaut suit less than a foot away from a pile of fool’s gold with a skull—allegorizing our unreachable and possibly foolish dreams juxtaposed with the discovery of material riches. One can’t help but wonder how many childhood dreams are derailed once the power of money becomes a motivator.

In Fraser’s own youth, she was taught to value all things practical and religious, values she received from her working class parents in Minnesota (she now lives in San Antonio). As a child she attended a church that preached fundamentalism, which included a rigid End of Times theology dooming the contemporary world around her, and exalting the wonderful world to come. She never bought into the teaching, and this is reflected heavily in her work.

Photo courtesy Women & Their Work
Cock Fight #2
Walking through the exhibit, the miniature scale almost magnifies the images of the surreal. In “Forbidden Love #2,” a cutesy mother pig nurses a dog while her piglets look on in a surprised state. “Precious Planet” features a small child with an upraised club terrifying a pair of fur seals. “Cock Fight” positions two titans of faith—a figurine of Jesus on a donkey and a seated figure of Buddha—as little more than brutal contestants. “Cock Fight #2” contains two rooster figurines that have been barely altered with craft clay, one in Uncle Sam garb and the other in the robes of a Muslim imam—commenting on the two main characters in the current world conflicts as warring animals instead of nations.

Her vignettes, although humorous and thought provoking, with their odd scenes and dramatic commentary are also somewhat unnerving. What Fraser’s work knows well is that life can be cruel, and she imparts this notion throughout her exhibit. Though her work is stark and oftentimes dispiriting, it is offset by the joy and care she seems to take in creating her work.  She makes beautiful representations using the glaze of the paint shelf or the unconventional scripts of her placards.

No Sure Footing can be seen at Women & Their Work through February 21. The exhibit, as all showings at W&TW, is free.

            

Photo courtesy Women & Their Work
Precious Little

 

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